100 Years Passed and Papercraft follows homely,
which you just mentioned as a turning point, forming a kind of three-part
project based on the concepts. Did having a conceptual axis going into
production change your approach or process at all? What were you trying to
explore at that time?
While I don’t remember exactly what I had in mind at the
time, erecting a concept was great because it gave all those songs we created
separately a single cohesive image that was then easier to share with everyone.
Personally, I feel like I really learned arrangement during the production of
this three-part project.